Cut To The Quick

At the moment, I've got Keli Hand's Detroit History Vol.1 blasting out of my speakers. Before that it was Dungeon Master by Christian Vogel. Next up is The Berlin Sessions by Juan Atkins. Yup, I'm that frame of mind where nothing but the finest techno is going to work. Where the most sensible thing to do is to let my fizzing self get *lost* in the subtly shimmering webs of hi-hat and percussion, be tweaked and kneaded by the spectral shifts of synthesizaurs'n'effects, kick'n'snare syncing into my pulse until breathing and heartbeat are just another element in the polyrhythmic maze I don't want to find my way out of.